Download Song River Of Life By Bernice Johnson UPDATED

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Download Song River Of Life By Bernice Johnson

Bernice Johnson Reagon
Bernice-johnson-reagon-sm.jpg
Background information
Birth name Bernice Johnson
Born (1942-10-04) Oct iv, 1942 (age 79)
Origin Dougherty County, Georgia
United States
Genres A cappella
Occupation(southward) vocalizer, songwriter, scholar
Instruments vocals
Years active 1966–present
Associated acts Sweet Honey in the Rock, Toshi Reagon
Website bernicejohnsonreagon.com

Musical creative person

Bernice Johnson Reagon (built-in Bernice Johnson on Oct four, 1942) is a song leader, composer, scholar, and social activist, who in the early 1960s was a founding member of the Student Non-fierce Analogous Commission'southward (SNCC) Freedom Singers in the Albany Movement[1] [ii] in Georgia. In 1973, she founded the all-black female person a cappella ensemble Sweet Love in the Stone, based in Washington, D.C.[3] Reagon, along with other members of the SNCC Liberty Singers, realized the ability of collective singing to unify the disparate groups who began to work together in the 1964 Freedom Summertime protests in the South.[4]

"Later a song," Reagon recalled, "the differences between u.s. were non and so great. Somehow, making a song required an expression of that which was mutual to u.s.a. all.... This music was like an musical instrument, like holding a tool in your mitt."[5]

The Albany Singing Motion became a vital catalyst for change through music in the early 1960s protests of the Civil Rights era.[five] [vi] Reagon devoted her life to social justice through music via recordings, activism, community singing, and scholarship.[7] [8] [9] [10]

She earned her Ph.D. from Howard University becoming a cultural historian, centered on the role of music, and is an emeritus faculty member in the History Department at The American Academy.[xi] She has besides been a scholar-in-residence at Stanford[12] and received an honorary doctorate of music from Berklee College of Music.[13]

Early life and education [edit]

Bernice Johnson was the girl of Beatrice and J.J. Johnson, a Baptist minister. She was born and raised in southwest Georgia, where church building and schoolhouse were an integrated part of her life, with music heavily intertwined in both of those settings. Reagon began school at the historic period of three when she was asked by her teacher to attend early, and she passed that first year. By the time she was in the 4th, 5th, and 6th grade, she was requested to tutor students in the 1st, 2nd, and 3rd, and she claims it was considering there had simply been one teacher.[fourteen] She entered Albany State Higher in 1959 (since July 1996 Albany State University) where she began her report of music. She besides became active in the local NAACP affiliate and so the SNCC. Afterward being expelled from Albany State considering of an abort equally an activist, she briefly attended Spelman Higher.

Later, she returned to Spelman to complete her undergraduate caste in 1970. She received a Ford Foundation fellowship to exercise graduate study at Howard University, where she was awarded the Ph.D. degree in 1975.[fifteen]

Career [edit]

Activism [edit]

Reagon's first demonstration had been in protestation confronting the arrest of Bertha Gober, and Blanton Hall, organized by SNCC along with the initial arrest of the ii individuals, for they planned to be arrested in a give-and-take during a SNCC meeting.[14] Reagon was an active participant in the Civil Rights Motility of the 1960s. She was a member of The Liberty Singers, organized past the Educatee Nonviolent Coordinating Committee (SNCC), for which she likewise served as a field secretary. Reagon explains her showtime run across with SNCC as a confusion, for she did not sympathize the name, or its organization, but she claims that she understood that they were for freedom and total-time.[16] The Freedom Singers were organized by Cordell Reagon in 1962. The grouping was the first of the ceremonious rights singers to travel nationally. The singers realized that singing helped provide an outlet and unifier for protestors struggling with mob beliefs and police brutality. Thanks to her roles with SNCC and the Freedom Singers, Reagon became a highly respected song leader during the Civil Rights Move.

Activist James Forman later said, "I retrieve seeing you lot lift your beautiful black head, stand squarely on your anxiety, your lips trembling every bit the melodious words 'Over my head, I see freedom in the air' came forth with an urgency and a pain that brought out a sense of intense renewal and delivery of liberation. And when the call came to protest the jailings, y'all were upwards forepart. You led the line. Your feet hit the muddy pavement with a sureness of direction. You walked proudly onward singing 'this little light of mine, 'and the people echoed, 'shine, polish, shine.'"[vii] [17]

Academic [edit]

In 1974, Reagon was appointed as a cultural historian in music history at the Smithsonian Establishment, where she directed a program called Black American Civilization in 1976,[xviii] and was later on a curator of music history for the National Museum of American History. Ida Jones from the Smithsonian Establishment had stated, "Dr. Reagon collected photographs,sheet music, and other primary and secondary sources chronicling the development of African American sacred music tradition from its nascency during the period of slavery through the cosmos of concert spiritual, gospel music, jazz, and the performance of protest vocal in the century following Emancipation." on behalf on Reagon's initial job at the museum.[xviii] In 1989, she was awarded a MacArthur Fellowship. After Reagon retired in 1993, she continued to work in African American Songs of Protest as a Curator Emeritus.

She held an appointment every bit Distinguished Professor of History at American University (AU) in Washington DC from 1993 to 2003. Reagon has since been named Professor Emerita of History at AU, and holds the title of Curator Emeritus at the Smithsonian.[15] [19]

Music [edit]

External video
video icon "Eyes on the Prize; Interview with Dr. Bernice Johnson Reagon" conducted in 1986 for the Eyes on the Prize documentary.

Reagon claimed that she grew up in a church without a piano, so her early music was a cappella, and her kickoff instruments were her hands and feet, and she explains, "that'due south the simply way I tin deal comfortably with creating music." When Reagon speaks nearly her upbringing in the musical civilization, she explains that even her early on schooling was heavily involved with music, not merely the church. Reagon says that her teacher would lead the students outside to play games that entailed singing with their hands and anxiety, likewise as their voices. At that place was also competitions amid the students, and Reagon won first place as a kid when running against the older students reciting Langston Hughes, "I've Known Rivers".[xx] Reagon is a specialist in African-American oral history, operation and protest traditions. She has served every bit music consultant, producer, composer, and performer on several award-winning picture show projects, notably PBS television productions such every bit Eyes on the Prize (1987) (in which she likewise appeared) and Ken Burns' The Civil War (1990). Reagon was also featured in a film, "We Shall Overcome" which was almost the song and its placement in the motility, being produced by Ginger Records and fabricated by Henry Hampton, the aforementioned creator of Eyes on The Prize.[18] She was the conceptual producer and narrator of the Peabody Honour-winning radio series, Wade in the H2o, African American Sacred Music Traditions. [ commendation needed ] Reagon claimed, "These days, I come as a 'songtalker', i who balances talk and song in the creation of a live functioning conversation with those who assemble within the sound of my voice."[21]

Reagon joined her first and only gospel choir when she was eleven years former, which was organized by her sister at the Mt. Early on Baptist Church. She and the choir would listen to the local radio station WGPC to learn blackness gospel for the choir to recite. As a kid, the V Blind Guys was her favorite quartet. Reagon states that her role models in terms of music are Harriet Tubman, Sojourner Truth, and Bessie Jones, because they assisted her agreement of traditional singing and the fight for justice. She also sees Deacon Reardon as an importance to her work as a historian studying African American sacred worship traditions, and she states that he impacted both her spiritual and musical development.[22]

Reagon's piece of work as a scholar and composer is reflected in her publications on African-American civilisation and history, including: a collection of essays entitled If Yous Don't Go, Don't Hinder Me: The African American Sacred Song Tradition (University of Nebraska Printing, 2001); We Who Believe In Freedom: Sugariness Dear In The Rock: Nevertheless on the Journeying, (Anchor Books, 1993); and Nosotros'll Understand It Better By And Past: Pioneering African American Gospel Composers (Smithsonian Press, 1992).

Reagon has recorded several albums on Folkways Records including Folk Songs: The South, Wade in the Water, and Lest Nosotros Forget, Vol. 3: Sing for Freedom. [23]

In 1973 Reagon founded a six-fellow member, all-female person a cappella group called Sweetness Honey in the Rock. In improver to Reagon, the women in the original group were: Ysaye Maria Barnwell, Nitanju Bolade Casle, Shirley Childress Johnson, Aisha Kahil, and Carol Maillard. The merely instrument they used was their voices, along with shekere and tambourine. They have toured internationally, including to Europe, Nippon, Mexico, and Commonwealth of australia. The group's fan base is of different ethnic backgrounds, religions, and sexual orientations. Reagon's musical roots come from the rural South Baptist Church building. She has advocated "music'south informational and transformative power to inquire" and the strong effects that music has had on the Civil Rights Movement.[ commendation needed ]

Honors [edit]

  • In 1991 Reagon received a Candace Accolade from the National Coalition of 100 Black Women.[24]
  • In 1995 she received a Charles Frankel Prize for her contributions to the public agreement of the humanities. The award was presented at the White House past President Bill Clinton.
  • Other notable awards include the 9th Annual Heinz Award in the Arts and Humanities given in 2003.[25] In Apr 2009 Reagon received an honorary doctoral degree from the Berklee College of Music. In 2000 she won the Get-go National Leeway Laurel Laurels at the Leeway Foundation in Philadelphia.
  • In 1996 Reagon won the Isadora Duncan Award.[18]

Personal life [edit]

In 1963 she married Cordell Reagon, another member of The Freedom Singers.[26] Their daughter Toshi Reagon is also a singer-songwriter.

Reagon believes that "Life'southward challenges are non supposed to paralyze you lot, they're supposed to help you discover who you are." She believes that black people have created their own world. African Americans had to use what always territory at their disposal to create a people. And that territory was not country, it was culture. She also said there was then much done because blackness civilisation was the but thing black people could call their own. That is why she feels black culture is the most powerful in the world.[27]

Meet also [edit]

  • Women's music
  • Black feminism
  • Protest song

References [edit]

  1. ^ "Freedom Singers". New Georgia Encyclopedia . Retrieved 2017-01-29 .
  2. ^ "Albany Movement". New Georgia Encyclopedia . Retrieved 2017-01-29 .
  3. ^ "Bulletin from the Founder - Sweet Honey in the Rock®". Sweet Honey in the Rock®. Archived from the original on 2018-06-13. Retrieved 2017-01-29 . First public appearance of Sweet Beloved In The Rock at Howard University'due south West.C. Handy Dejection Festival. The group is Bernice Johnson Reagon, Carol Maillard, Louise Robinson, and Mie.
  4. ^ Hayes, Eileen M. (2010-10-01). Songs in Blackness and Lavender: Race, Sexual Politics, and Women'south Music. University of Illinois Printing. p. 66. ISBN9780252091490.
  5. ^ a b Giddings, Paula J. (2009-10-06). When and Where I Enter: The Affect of Black Women on Race and Sexual activity in America. Harper Collins. p. 279. ISBN9780061984921.
  6. ^ Harris, Norman (1988). Connecting Times: The Sixties in Afro-American Fiction . Jackson and London: Univ. Press of Mississippi. pp. 136–seven. ISBN9781617033704. albany singing motility paula giddings.
  7. ^ a b "Bernice Johnson Reagon: Civil Rights song leader". Smithsonian Folkways . Retrieved 2017-01-29 .
  8. ^ "Bernice Johnson Reagon: Album Discography". AllMusic . Retrieved 2017-01-29 .
  9. ^ "Bernice Johnson Reagon". Americans Who Tell The Truth . Retrieved 2017-01-29 .
  10. ^ Reagon, Bernice Johnson (2001). "If You Don't Get, Don't Hinder Me". University of Nebraska Press. Archived from the original on 2017-02-02. Retrieved 2017-01-29 .
  11. ^ "Emeritus Faculty with the History Department at American University". www.american.edu . Retrieved 2017-01-29 .
  12. ^ "Bernice Johnson Reagon in residence". Stanford Academy . Retrieved 2017-01-29 .
  13. ^ "Bernice Johnson Reagon on Freedom Fighting". Berklee Higher of Music . Retrieved 2017-01-29 .
  14. ^ a b "Interview with Bernice Johnson Reagon". Eyes on The Prize Interviews. Blackside Inc. Retrieved March seven, 2018.
  15. ^ a b Hatfield, Edward A. (2007-11-28). "Bernice Johnson Reagon". New Georgia Encyclopedia. Georgia Humanities Quango. Retrieved December 10, 2012.
  16. ^ "Interview with Bernice Johnson Reagon". Eyes on The Prize Interviews . Retrieved August 21, 2019.
  17. ^ "Bernice Johnson Reagon on 'This Footling Light of Mine'". BillMoyers.com. 2013-05-03. Retrieved 2017-01-29 .
  18. ^ a b c d Ida, Jones. "Guide to the Bernice Johnson Reagon Collection of the African American Sacred Music Tradition, circa 1822-1994". Smithsonian Online Virtual Athenaeum . Retrieved March 7, 2018.
  19. ^ "Bernice Johnson Reagon". MacArthur Foundation. Archived from the original on 2015-09-19. Retrieved 2016-01-19 .
  20. ^ "Interview with Bernice Johnson Reagon". Optics on The Prize Interviews. Blackside Inc. Retrieved March 7, 2018.
  21. ^ Reagon, Bernice Johnson. "Bernice Reagon". Facebook . Retrieved March seven, 2018.
  22. ^ Reagon, Bernice Johnson (1942). If You Don't Go, Don't Hinder me The African American Sacred Song tradition. Lincoln: University of Nebraska Press. pp. 100–140. ISBNi-280-51030-7 . Retrieved March vii, 2018. [ permanent dead link ]
  23. ^ Bernice Johnson Reagon Discography on Folkways [ permanent expressionless link ] . Folkways.si.edu. Retrieved on 2011-12-09.
  24. ^ "Chronicle". The New York Times. June 26, 1991.
  25. ^ The Heinz Awards, Bernice Johnson Reagon contour Archived Oct 20, 2016, at the Wayback Auto. Heinzawards.net. Retrieved on 2011-12-09
  26. ^ Hopkinson, Natalie "Solid Rock". Archived from the original on March 16, 2006. Retrieved Baronial 30, 2016. . Crunch, The. Sep/Oct 2003
  27. ^ Brown, Leonard (eleven Baronial 2010). John Coltrane and Black Americas Quest for Liberty: Spirituality and the Music. Oxford University Press. pp. 23–24. ISBN978-0199779741 . Retrieved 18 January 2016.
  • Buffalo, Audreen. "Sweet Dearest: A Cappella Activists." Ms 03 1993: 24. ProQuest. Web. 17 May 2014 .
  • Dr. Bernice Johnson Reagon 1999 Folk Alliance International Lifetime Achievement Award Recipient. Performer, Dr. Bernice Johnson Reagon. Folk Alliance International, ii Sept. 2011. Web. 12 May 2014.
  • Reagon, Bernice J. "Bernice Johnson Reagon." Music: Freedom Singers. Songtalk Publishing. Web. 13 May 2014.
  • "Bernice Johnson Reagon." Smithsonian Folkways. Smithsonian Institution, n.d. Web. sixteen May 2014.

External links [edit]

  • Official website
  • SNCC Digital Gateway: Bernice Johnson Reagon, Documentary website created by the SNCC Legacy Project and Duke Academy, telling the story of the Student Nonviolent Coordinating Committee & grassroots organizing from the within-out
  • The Heinz Awards, Bernice Johnson Reagon profile

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